From the blurb: Alexis, a broke young artist with problems reading and writing, keeps her little red book close at all times. It holds her life. She wants to be sure she’s gotten it all down as it comes. She narrates to herself in illegible script, unaware of her unique style of recording her own world. Here we have one half of a She said/She said scenario. Maureen, a successful owner of a small chain of Art Supply stores, catches Alexis in her store with a pocket full of stolen tubes of paint. And she’s smitten from first glance. Knowing all too well the pitfalls ahead, Mo wants only to help. Only for a while. Only in any way she can. No one told her she’d have to fight nearly every step of the way. And therein lays the other half of said scenario.
Lexy meets Maureen by attempting to steal art supplies from her shop, which begins a bit of a tumultuous romance between the two that neither expected. Their alliance is somewhat unbalanced, with Lexy wanting to be worthy of attention and happiness, but not quite sure how to get there herself.
Lexy keeps a little red book and always scribbles in it, always in indecipherable code which is never explained. Is she illiterate? Severely dyslexic? I have no idea. Her second person pov is indescribably done in future tense, which feels almost as though the red book is telling her how to interact to scenarios, how other people will respond. Instead of what IS happening it’s all stated as what WILL happen. I assumed at some point this would have some fascinating twist explaining WHY this choice was made but that never happened. Is she hearing voices? Does she think the book is talking to her? Are there little green men? That would have all been viable options, but it was just left as it was without any justification for the pov choice. Maureen’s chapters are done in first person, and often rehashes what we’ve already experienced in Lexy’s pov, or vice versa. Additionally, Maureen has a difficult relationship with her daughter, and you never really can tell if her relationship with Lexy is to compensate for this loss or a truly genuine love.
By the end, I didn’t really find the characters particularly likable and couldn’t see what Maureen and Lexy saw in each other. A lot of the story was somewhat difficult to discern, and many passages I needed to re-read several times before moving on (and often still didn’t get it but I just kept going anyway). There seemed to be a lot that the author counted on the reader figuring out themselves, obscure connections that I just couldn’t follow. This and Lexy’s unconventional pov was just all too much to wade through for me.
You can download a sample or purchase Your Little Red Book by clicking here.
Writing creatively is one thing, but not being able to tell the story with it is quite another.
Yeah, I admire the ability to write complicated POV, but it can have big drawbacks for sure.